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外国语学院本科生英语专业毕业论文装订顺序(MLA格式)
(注:此格式用于文学,文化,翻译方向的论文)
毕业论文封面(汉语)
毕业论文首页(英语)
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毕业论文英文摘 要及关 键 词
毕业论文中文摘 要及关 键 词
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正文
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rtTwoisadetailedanalysisofWaitingforGodotandtheanti-playtechniquesofit,basingonfourtypicalfeaturesofpostmoderni.Itisalsodividedintofivechapters.ChapterOneisthetheoreticalpremises.ChapterTwofocusesonthedehumanizedcharactersand"pairing"relationshipsintheplay.ChapterThreeiainlyaboutBeckett'suseof"directexpression",whichservesasastrategyofdepth-less-nessinpostmoderni.ChapterFourisananalysisof"indeterminacy"inthisplay.Thelastchapterisaboutthejuxtapositionofedyandtragedy.PartThreeisaconclusionofthethesis.ChapterOne
DehumanizedCharactersandPairingRelationshipsinWaitingforGodot
Asapracticeofpostmodernidiscourse,thedissolutionofthesubjectisaremarkablefeatureoftheTheateroftheAbsurd.Therefore,intheTheatreoftheAbsurd,theimagesofcharactersarereducedminimallyanddeprivedallthecharacteristicsas"man".Generallyspeaking,torepresent"man"isthethemeofliteratureallthroughtheages.Intraditionalplays,playwrightsheportrayedagroupofcharacterswithartbrains,passionatetemperament,eloquentspeechcraft,whereascharactersoftheTheatreoftheAbsurdbelongtothepostmodernistswhoareinthesituationof"burn-out",sotheydonotheanintegrated"self"butafragmentedone.Theydonotfightagainstormentontheworldanymore.Actually,theyhelosttheirsubjectivityaanandbeetotallyspeciousbodies.Hingbeendeprivedallthedignityof"man",charactersarenot"characterized"but"dehumanized"andtheythemselvesareturnedintopartoftheabsurdworld.
1.1TheDissolutionoftheSubject
Postmoderniisanerainwhichthesubjectdissolves.MostoftheideologistsinwesterncountriesbelievethatwithNietzsche'sproclaimingof"Godisdead",thereeswithhumanbeings'death,forallvaluesofhumanbeingsliewithGod.Asitisexpected,ahundredyearslater,Foucaultannouncesthedeathofhumanbeings.Andhesays,"Theexistenceoflanguageesintobeingonlywiththedissolutionofthesubject"(qtd.inYan109).
1.2Depth-less-ness
The"depth-less-ness"isasignificantfeatureofpostmoderni,whichiscalled"flatness"or"superficiality"byJameson(Jameson4).Thedepth-less-nessieanttoeliminatetheantithesesbetweensurfaceandessence,latencyandpatency,authenticityandnon-authenticity,signifierandsignified.Itaimsattendingtowardssurfacefromessence,towardspatencyfromlatency,towardsnon-authenticityfromauthenticity,towardssignifierfromsignified.Inaword,profundityisgoingtobereplacedbysuperficialityhere.Jamesonexplainsthis"depth-less-ness"asalossofthehermeneuticrelationshipbetweenanimageandtheviewer:
Theviewercannolongerinterpretanimage,duetothedepth-less-ness,thesurfaceoftheimageisalsothemeaningoftheimage,forthereisnolargerordeepermeaningwhichcanbeinterpretedthroughanencounterwiththetext.Thereisnomeaningbeyondtheimage.Thesearchforgreatermeaningorunderstandingofhumanityconnotedintheimageione(Jameson8).
1.3Indeterminacy
Thistermincludesallmannerofambiguities,ruptures,anddisplacementsaffectingknowledgeandsociety.AccordingtoHassan,indeterminacy,whichhasvariousderivativemeanings:ambiguity,discontinuity,heterodoxy,plurali,disanization,rebellion,misinterpretationanddistortion,isabasicfeatureofpostmoderni.Theindeterminacyofpostmoderniliteratureisalsoreflectedinfouraspects:indeterminacyofthetheme,indeterminacyofcharacters,indeterminacyoftheplotandindeterminacyofthelanguage(Liu,YangandZeng15).
1.3.1IndeterminacyoftheTheme
WorksCited
Andonian,CathleenCulotta.TheCriticalResponsetoSamuelBeckett.WestPort,Conn:GreenwoodPress,1998.
独着姓,名.书名.出版地:出版社,出版年代.Horton,RodW.,andHerbertW.Edwards.BackgroundsofAmericanLiteraryThought.NewYork:Appleton-Century-Crofts,Inc.,1952.
Atwan,Robert,DonaldMcquade,andJohnWright.Edsels,Luckies,andFrigidaires:AdvertisingtheAmericanWay.NewYork:Dell,1979.
两至三名作者
姓,名,名姓,and名姓.书名.出版地:出版社,出版年代.
Baym,Ninaetal.TheNortonAnthologyofAmericanLiterature.NewYorkandLondon:W.W.Norton&,Company,2003.
四名或以上作者姓,名,etal.书名.出版地:出版社,出版年代.Stewart,DonaldC."WhatIsanEnglishMajor,andWhatShouldItBe"CollegeCompositionandCommunication40(1989):188-202.
一位作者写的文章
曹波."论贝克特的荒诞派戏剧艺术."外语与外语教学2004(3):29-31.
蓝仁哲."感受荒诞人生见证反戏剧手法—《等待戈多》剧中人及其处境."外国文学评论,2004(3):74-80.
李维屏.英美现代主义文学概观.上海:上海外语教育出版社,1998刘象愚,杨恒达,and曾艳兵.从现代主义到后现代主义.北京:高等教育出版社2003.
严泽胜."荒诞派戏剧的后现代审美特征."国外文学,1992(3):109-114.
朱虹.英美文学散论.北京:三联书店,1984ztflh.jourserv./
文学:I106
文化:G0
翻译:H315
临沂大学外国语学院本科毕业论文
临沂大学外国语学院本科毕业论文
临沂大学外国语学院本科毕业论文
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临沂大学外国语学院本科毕业论文
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